School Fashion Kid Turned Designer Launches Limited Collection For Pick n Pay Clothing

School Fashion Kid Turned Designer Launches Limited Collection For Pick n Pay Clothing. Lorde Ndlumbini, a 23-year-old designer from Khayelitsha has launched a collection in Pick n Pay Clothing under his label House of Lordes.

What began as an expression of individuality in high school in Kuils River, Ndlumbini quickly gained recognition for his experimental take on streetwear. Now, through Pick n Pay Clothing’s Futurewear programme, he joins a group of emerging creatives who have been mentored to create limited-edition commercial ranges sold in 40 stores nationwide, giving them the platform to grow their brand.

Ndlumbini’s path to fashion wasn’t conventional. His passion for fashion was sparked by his mother’s keen eye for style and, finally, an ultimatum by her. “I was really into video games as escapism when I was around 13. I wasn’t looking my best in terms of fashion, and my mother always encouraged me to focus more on how I dressed. She taught me the importance of individuality and self-expression through clothing,” shares Lorde.

It wasn’t until he began experimenting with his wardrobe that he noticed a change in how people perceived him, and his confidence grew. “At school, I was the kid who showed up on casual days in very different, eye-catching, stylish outfits. I had never been praised for academics or sports, but fashion was something people noticed about me. That piqued my interest in learning more about fashion.”

The House of Lordes brand was born as an idea by high school friends to launch a streetwear brand. “As I was the ‘fashion kid’ in school, some friends asked if I wanted to start a brand with them, and they used my name because I already had a decent social media following. We were super young, and the brand wasn’t being taken seriously at first. But I was determined to make it work. Eventually, my friends left the brand, and in 2020, it was just me and my partner, Bruce Carter, left with the brand. From there, we pushed forward with everything we had.”

He signed up at the Fashion Institute of Garment Technology (FIGT) but was forced to drop out due to financial constraints. But, he used this setback during the pandemic as an opportunity to focus entirely on growing his brand. House of Lordes quickly became known for its tailored suits, bespoke matric dance dresses, and streetwear pieces that make its customers feel like “Lordes”. “We want them to feel like kings and the best versions of themselves in our clothing,” says Ndlumbini. He has different ranges and collections, ranging between R1000 – R2000 per item, while custom dresses start from R6,000.

“As a fashion school dropout, I felt there were gaps in my knowledge. The Futurewear programme has been instrumental in filling in those missing pieces, helping me refine my eye for detail and further develop my designs,” he says. Futurewear co-founder Gavin Rajah, along with other designers such as Julia Buchanan, support the young designers through the programme.

House of Lordes commercial collection with Pick n Pay Clothing blends his streetwear roots with accessible, everyday fashion. Titled Umoya Wamanzi, meaning ‘spirit of the water’, the exclusive collection draws inspiration from Xhosa folklore, particularly the mythical uMamlambo, a mermaid-like figure. Drawing on his cultural roots, Ndlumbini blends tradition with innovation, using intricate, reimagined Xhosa patterns and a rich palette of blues and whites to evoke the spiritual and mysterious nature of water. Each piece – from elegant dresses to playful skirts and a chic playsuit – reflects both style and heritage, with a focus on sustainability.

“When people see the collection, I hope they feel the heritage we’ve poured into each piece,” says Ndlumbini. The highlight of Lorde’s experience in the Futurewear programme has been the insight, knowledge, and mentorship he has learnt “I’ve grown not only as a designer but also as a business owner,” he says. He aims to continue expanding House of Lordes and work closely with industry veterans like Gavin Rajah to enhance his craft further.

Hazel Pillay, Executive: Pick n Pay Clothing, says the best part of the Futurewear programme is witnessing the designers evolve during the experience. “Lorde’s story of using clothing to give him confidence and help build his identity is one that many can identify with. Fashion can be seen from many worldviews, and in Lorde’s case, it helped him build a viable career. We are proud to have met him on his journey and provide another layer of business skills and mentorship to ensure he reaches his full potential in the fashion industry.”

Lorde’s fashion journey is a testament to how self-expression and perseverance can lay the groundwork for success, no matter the starting point. “We must have faith that we must believe in our dreams and that our dreams are valid and possible,” concludes Ndlumbini.